The Flutist's Handbook: The Art of Staying in Shape - Stallman Robert Carl Fischer WF230

Contents

• Preface .2
• Part I. Twenty-Four Détaché Warm-Ups
• 1. For Single Tonguing .3
• 2. For Single Tonguing .6
• 3. For Single and Double Tonguing .10
• 4. For Single Tonguing .14
• 5. For Single Tonguing .17
• 6. For Double Tonguing .21
• 7. For Single and Double Tonguing .25
• 8. For Single and Double Tonguing .29
• 9. For Double Tonguing .33
• 10. For Single and Double Tonguing .37
• 11. For Double Tonguing .41
• 12. For Double Tonguing .45
• 13. For Double Tonguing/“Bariolage” .49
• 14. For Double Tonguing/Tremolando .53
• 15. For Double Tonguing/“Toccata” .57
• 16. For Double Tonguing .61
• 17. For Double Tonguing .63
• 18. For Double Tonguing .67
• 19. For Double Tonguing/Tremolando .70
• 20. For Double Tonguing/Tremolando .72
• 21. For Double Tonguing/Tremolando .76
• 22. For Triple Tonguing .82
• 23. For Triple Tonguing/Tremolando .86
• 24. For Triple Tonguing/Tremolando .90
• Part II. Fifteen Legato Warm-Ups
• 1. “Reaching Out” (To Open the Tone, Bottom to Top) .97
• 2. “Cécile” A (Legato Warm-up for the Middle Register) .99
• 2. “Cécile” B (Legato Warm-up for the Middle Register) .102
• 3. “Sunrise” (For the Middle Register) .105
• 4. “Norwegian Warm-Up” (To Open the Upper Register) .107
• 5. “Leipzig” (For the Middle Register) .109
• 6. “Hymn to Nature” (For the Middle Register) .112
• 7. “Going Deeper” (To Open the Middle and Lower Registers) .116
• 8. “Giant Steps” (For Wide Intervals, Sostenuto) .118
• 9. “Aubade” (For the Middle Register, Sostenuto) .121
• 10. “Stretching” (For Wide Intervals, Sostenuto) .123
• 11. “Posthorn” (For Tone and Expression) .126
• 12. “Good Connections” (For Wide Intervals/Piano, Legato Sostenuto) .128
• 13. “Berceuse” (For Control and Flexibility in the Upper Register) .138
• 14. “Making Seamless Connections” (For Control in the Upper Register/Piano, Sostenuto) .141
• 15. “Rêverie” (For the Upper Register/Piano, Sostenuto) .143